Review – Glasshouse by Charles Stross

As I mentioned in some previous posts, I’m reading the Hugo nominees. I just got back into regular reading in the past year or two, thanks to our going to the library on a weekly basis for the kids, and I got to a point where I didn’t know what to read. So I figured I’d go with the award winners. It’s not like I’ve read a ton in the past decade, as far as fiction goes, so I had plenty to work with.  Why not read the stuff that was voted by readers as the best of the best.

After reading Halting State, and I wasn’t done, I saw Glasshouse sitting on the shelf. I remembered it as being one of the Hugo nominees, so I grabbed it. This is the third Charles Stross novel I’ve read now, and I seem to be working backwards. I started with his more recent Saturn’s Children, then read Halting State, and now Glasshouse. Eventually I’ll read Accelerando which Glasshouse was a loose sequel to supposedly.

Glasshouse is set in the same ‘universe’ as Accelerando, but I didn’t feel like I missed anything. Maybe reading Accelerando will make me see stuff I would have otherwise missed, but for the most part from my understanding the stories are simply set in the same reality, but centuries apart, with all different characters, etc. Basically, I had no problems reading this, even though some claim it as a sequel.

The basic universe is pretty interesting. It’s a future where three primary pieces of technology have accelerated humanity into a post-human state. T-gates, A-gates, and Emotional computers. The computers are all throughout the book, and even in every character’s head in the form of their netlink, but they don’t seem obtrusive, and they’re not speaking characters. They remain machines, and tools, but ones that are extremely complex and able to hold immense amounts of data. The T-gates are wormhole technology so seamless, you can walk down a corridor, and see no change, but be in a habitat orbiting one brown dwarf for one minute, and then suddenly in another habitat somewhere else, in another moment, and not notice the change. They also provide power for nearly everything but having small t-gates in devices linked to others inside stars, to use their plasma energy. A-gates are assembler gates, which can create anything you want from basic generic stock mass. Food, guns…even people. A regular habit is for people to sit in their A-gate and back themselves up daily. The nanomachines rip them apart store them in data, and then rebuild them. That way if they die, they can be reborn and only miss a day, or however long it’s been since their last backup.

I don’t want to write up too many book spoilers. The story revolves around the character Robin, who has just had his memory wiped by an A-gate. He’s not sure exactly why he wiped so much of his memory, but now is in rehabilitation. However, it seems like there are people out to get him, and when he’s offered a chance at a new temporary identity in a psychological experiment that will last 3 years, he takes it, as a great way to hide from whomever is trying to kill him based on a life he doesn’t remember.

Upon entering the experiment he finds he’s now Reeve, and has been changed into a fairly waifish and weak girl, living in a near 1950′s replica of America. Main streets. Kitchen appliances. The players in the game are given points for behaving correctly according to the way things were, and taken away for breaking the simulation. Many get into the game and actively integrate themselves with this new reality, but Reeve is uncomfortable with it.

Eventually it’s discovered that the experiment is taking place inside a Glasshouse, a former prison with one way in, one way out by longjump t-gate, and that it’s not going to go for 3 years…but for possibly 300. The people controlling the polity having nefarious goals, i won’t get into here.

I thought it was a great book, the best of his that I’ve read so far. It was a very different world from our own, but it was much more easy to understand how people lived in it. how the world worked. It followed a fairly standard narrative style, which I enjoyed after the 2nd person method in Halting State, so there was no jarringness to the book or the writing.

My only real complaint, again comes down to what seems to be Stross’s boredom with climaxes. Glasshouse began to climax, and then while there was more action than in the later books, he literally has the main character knocked unconsious, and then in the following chapter, the epilogue states basically “To make things quick, we won.” and then explains how, and what happened. I was prepared for it at this point, or I would have probably been more disaspointed. Stross seems to be more interested in building up a world, and characters, as well as discovering the plot and mystery, and figuring it out….and then kind of loses interest in the resolution. While Glasshouse had more of it than in his later books Halting State, or Saturn’s Children, it still felt like the ‘big action scene at the end’ was abbreviated.

I still recommend it though. Even without a riveting actiony climax, it’s a great read, and I recommend it to all.

My list for 2007 now has Rainbow’s End by Vernor Vinge and Glasshouse by Charles Stross on the read column. I can see why Rainbow’s End won, but I don’t think Glasshouse was necessarily that far behind it in quality or ideas. In fact I’d say that Glasshouse was probably better written than Rainbow’s End, but that it didn’t feel as topical.

My 2007 list now has –

His Majesty’s Dragon by Naomi Novik
Elfelheim by Michael F. Flynn
Blindsight by Peter Watts

My 2008 list now has –

The Yiddish Policeman’s Union by Michael Chabon
Brasyl by Ian McDonald

2009 I’ve cleared

My 2010 list now has –

The City & The City by China Mieville
Palimpsest by Catherynne M. Valente
Wake by Robert J. Sawyer
The Windup Girl by Paolo Bacigalupi

And from the 2010 list the next book i’m reading… Boneshaker, by Cherie Priest. I was looking at the books last week and not seeing anything to read after Glasshouse, and I knew I’d need to request something. I decided to see if anything had been misfiled in the fiction section rather than in the sci-fi section, and lo and behold I found Boneshaker. It had a hold on it, probably multiple holds, but if it’s on the shelves you get to check it out, even if someone else has a hold on it. I feel a little bad about that, but honestly it probably would have sat there until someone else grabbed it and checked it out, which who knows how long that could have been.

So now I have basically 2 weeks to read it. I’ve had it for a week already and i’m just starting in on it, but in 2 more weeks I’ll have to have it read, or stop somewhere in the middle. NOthing like a little pressure to get some reading done….

2009 Hugos Review

So I’ve finally finished reading all the Hugo nominees, and the Hugo winner, from 2009. This was a pretty amazing group of books, I’ll be perfectly honest. I haven’t read every nominee from every year, so me making a statement that this was an amazing year for the top books doesn’t hold as much weight, but my goodness. Each and every one of these books was great.

I started with the nominees, and just finished reading the winner (The Graveyard Book by Neil Gaiman).

Anathem by Neal Stephenson was up first. I really enjoyed his early books. I was introduced to him like many through Snow Crash, and then backtracked and read Zodiac, and I even dug up a copy of The Big U from a library before it was back in print. However as he went on, I got more and more disinterested in what he was writing. He was a great author, and the detail was remarkable, but it was like each book the editor got more and more slack. Cryptonomicon was long and meandering and I still don’t know what it was about really. It seemed way too long and lacking in a plot. The Baroque Cycle….It was like he went so far off the deep end that he couldn’t just write one long book anymore, it was so long and lacking in editing that they broke it up into three. Maybe that’s not how it was, but that’s how it felt to me. I couldn’t read them. Anathem is a return to form for Stephenson. Yes, it’s still long but it’s cropped down from his previous efforts, and yes the book takes a bit to get off the ground as it creates the world but it’s a completely different world from Earth so it takes a bit to set it up. It’s possibly his best book.  It’s an interesting and new world, it’s got interesting characters, and a plot. And it’s got his trademark asides, tangents and conversations, but they’re great, and they tie in to the story well. An amazing book that all lovers of sci-fi and smart fiction should read.

After reading Anathem I decided to check out the rest of the 2009 class to see what could possibly be nominated next to it, as well as BEAT a book so good.

Next up came Saturn’s Children by Charles Stross. This book is in some ways an homage to books like Friday by Robert Heinlein, down to the buxom female on the cover. The book is set in a future where humanity is all dead, and the intelligent robots we created to be our servants and workers are left behind, still soldiering on. The main character a former sex robot now with no humans to service making her way through the solar system. The book itself took awhile for me to get into. The writing style, while good, was not necessarily elementary. My brain had to switch into a higher gear. ONce there though, and once I started understanding the world and what was going on, I got into it. Unlike Anathem, Stross doesn’t spend 100 pages establishing the world. He jumps into the action on page 1 and you have to figure out what’s going on as you read. That’s all well and good, but it was such a different world it was hard at first to get with the program. By the end though I was really enjoying the book. The visuals were astonishing, the story gripping.

Anathem still on top, but Saturn’s Children very good. What’s next.

John Scalzi’s Zoe’s Tale. Ok I have to admit, John Scalzi is one of my favorite active writers. One of my favorite overall really. I’ve read everything he’s written now with reading Zoe’s Tale, and I can’t say that for many authors. I love his brand of sci-fi, his space adventure, his non-space adventure. I just really enjoy his writing style and topics and humor. They mesh very well with my own. Zoe’s Tale itself is sort of an alt-perspective novel to his previous one in the Old Man’s War universe ‘The Last Colony’. This one is seen from the perspective of Zoe, the daughter (adopted) of the colony leaders (and main characters in his other Old Man’s War stories). It was interesting to re-read the story but from a different view, which has to be a difficult thing to do without telling the same story twice. On the whole though he did a great job, and I thoroughly enjoyed the book. However, I couldn’t bump it above Anathem on my list. While I love Scalzi’s writing tremendously, Anathem was just a next level book.

Next came the last non-winning nominee Little Brother by Cory Doctorow. It was in the young adults fiction section which troubled me, but after reading it I have to question why it was considered young adult fiction (a couple of the characters get naked in it and have sex. Not exactly pg material) Anyway it was a well written story, near future, about a kid and his group of friends who get arrested by homeland security in the wake of a terrorist attack, and then how he gets back at ‘the man’. Interesting book, good for teen rebellion. It was Sci-Fi in that there were a few techs in it that weren’t real, maybe 5-10 years in the future if that. I enjoyed it, it was a quality book, but I threw it in last place.

So last book up. I was dreading it. It was “the winner”. The Graveyard Book by Neil Gaiman. How  could it beat Anathem, or even Zoe’s Tale, I just couldn’t conceive. Not only was it a children’s book (It not only won the Hugo but it won the Newberry medal as well for best children’s book) but it was set in a graveyard with ghosts and ghouls and vampires and werewolves, etc. That subject matter just feels so trite these days with the Vampire Tween movies and True Blood, etc. Anyway, I got it out of the library and gave it a whirl.

I take back my dread. It was really an amazing book. It was like the anti-Harry Potter in a way. A story about an orphan boy, raised by mystical figures who teach him magic, to overcome the evil nemisis who killed his family (whom he escaped from as a baby) and win and become an adult. Same basic story, but so much better. Condensed into one book, rather than spread over 7, it keeps an internal logical consistency that the Harry Potter books never did, and the characters make sense, and behave in rational ways (or irrational if they’re meant to). It was really a perfect book in that mold, and I have to give it props. I think Anathem and Saturn’s Children were both written ‘above’ the level of this book and make you think in ways this one doesn’t, but this was really a perfect amalgam of this traditional plot, in a new circumstance, with colorfull characters. I visualized it the whole time reading it. I’m sure the movie, should they make one, will be fabulous. I cast the movie while reading the book (Ian McKellen as Silas…) More than anything though as I said, it just made me realize how bad the Harry Potter books really were. Oh they were enjoyable sure, but I don’t know abot you but when I was reading them many times I wanted to poke my eyes out. Harry not telling the adults tthings, the adults keeping things from Harry, him not trusting anyone, nobody trusting him. God the books were one big trust issue. It made me crazy. The Graveyard Book though doesn’t have that. The boy as a boy is trusting as he should be, too much so, and the adults trust him with some knowledge, but protect him, but don’t lie to him or cover things up.

So there it is. The five Hugo nominees, including the winner from 2009. I agree with The Graveyard Book winning, though I’d have been happy if Anathem had won as well. No reason to not have two winners no? The rest I all whole heartedly recommend for all sci-fi fans, though if you’re going to read Zoe’s Tale be sure to read the whole Old Man’s War series first so you can enjoy it more.